Shortly after, the band hit the road as opening act of bands like Depressive Age and Waltari, and took the opportunity of underlining their unusual talent.
In the mid-90s, the band signed a contract with the Berlin based record company Noise Records, who were known in the eighties as being the label of German metal giants such as Helloween and Gamma Ray. Their debut album “Symbiosis” recorded in the T&T-Studios in Gelsenkirchen and produced by John McGowan (Headhunter etc.), was released in Spring 1995 and was warmly greeted by the press. "With this homogenous, deep and convincing CD debut, Poverty's No Crime have fulfilled their inherent promise and have formed a solid foundation for their future", praised Rock Hard, one of Germany's two mega metal mags.
Spring 1996 saw the release of their second album “The Autumn Years”. Once again, the review pages of the metal press glowed with praise. This time, the Rock Hard reviewer heralded the CD his album of the month, whilst EMP raved in their catalogue mag: "Proggers of all shapes, color and sizes simply must buy the album of this absolutely unique band". “The Autumn Years” was received with positive reactions not only in Germany but also abroad. BURRN, Japan's heavy metal bible, gave the album 88 out of 100 points and readers voted the Germans into the top 20 of the album charts. The musicians went on tour with Victory and followed this up with a special guest slot on the Virgin Steele/Angra-tour which covered half of the European continent in 1996. In the wake of their live performances in Spain, Portugal, Italy, Greece and Switzerland, the band was showered with tremendous praise. Despite all this, Noise Records surprisingly ended their relationship with the band.
After a generous break to consolidate their ranks, the five musicians continued to follow their dream. In January 1997, the band began writing songs for a new album. Poverty's No Crime found a new business (and ideological) home at Inside Out, at that time Germany's most important prog metal label that had great bands such as Spock's Beard, Symphony X, Vanden Plas and Enchant under their contractual wings. Reviewing the album “Slave To The Mind”, the first result of this relationship, Hard Rock and Metal Hammer, Germany's Nr. 1 rock music magazines, wrote in their August '99 edition: "This is what makes prog metal enjoyable - no long egoistic solos, no disturbing breaks, no endless I-love-myself arias, but just - despite opulent decoration - straight arrangements, memorable hooks and melodic choruses... Some of the material reminds me of the glorious Marillion days ("Wind And Light"), some of early Fates Warning ("The Senses Go Blind"), and yet “Slave To The Mind” never loses its own individual touch. A great album from a great band!"
In late 1999, Poverty's No Crime faced the first major line-up change when Marcello Maniscalco on keyboards and bass player Christian Scheele left the band for other projects. Unimpressed by this loss, new material was written by the remaining three musicians. However, just before entering the studio for the recordings of “One In A Million”, the right guy for the vacant position behind the keyboards was found: Jörg Springub proved his perfect fit for the band with an impressing performance on the record. “One In A Million” was released in June 2001 and once again the international music press showed remarkably positive reactions. Right after the album release, bass player Heiko Spaarmann completed the line-up and the combo played some successful shows together with bands like Vanden Plas, Zero Hour, Pain Of Salvation and Anathema.
Two years later, Poverty's No Crime took a deep breath of fresh creativity. Again they spent two months at the Soundgarten Studio and the result hit the record stores in 2003. In the end of October 2003 THE CHEMICAL CHAOS, the bands' fifth record was released in Europe as well as in North America via Inside Out Music. It received overwhelming positive reviews in the music press such like “album of the month” in Germany’s METAL HEART, “10x dynamite” in ROCK HARD magazine and many more. With this and a bunch of club and festival gigs booked to support THE CHEMICAL CHAOS the band suffered from an unforeseen setback due to health issues. Volker had to pause from all band activities for more than a year. Besides some ongoing songwriting this caused in fact a break until the year 2005 when the band got back together and decided to start the preparations for a new album.
In March 2007, the band entered the Area 51 studio (Guano Apes, Helloween, Gamma Ray etc.) in Celle, Germany with producer and Victory guitarist Tommy Newton. Nine brand new songs reflecting the stylistic variety of Poverty’s No Crime were released in August 2007. The record “Save My Soul” represents the heavier side of the band. Once again it was highly acclaimed by the international rock and metal press, e.g. 8 points out of 10 from Germany's Rock Hard magazine. Followed by some touring and successful support shows with Threshold, the band took a creative break to elaborate on new songs. This break turned out to stretch over a period of nine years. However, the band has never stopped to meet for rehearsals or to work on new material. Their activities simply did not result in the recording of a new record as for most of the band member’s family and children became the first priority in their lives. Besides a "reunion show" in front of a crowd of 500 people in 2014 featuring guests and the original line-up for some songs and a couple of local dates in Germany, the live activities were almost shut down during that period. Other musical excursions were time consuming as well: Marco and Andreas started the band Level Fields with Alan Tecchio (Watchtower, Hades, Non-Fiction) on vocals. Heiko joined the power metal band Assignment with Argentinean singer Diego Valdez (Helker, Necronomicon).
However, with a bit by bit recording attempt in different studios (e.g. in Jörg Uken's Soundlodge Studio) over the past three years, Poverty's No Crime finally finished the accursed seventh album. Entitled “Spiral of Fear”, it was released in spring 2016 from the German based label Metalville. Mixed and mastered by Simone Mularoni (DGM, Empyrios) at his Domination Studio in San Marino, it represents possibly the most mature sounding piece of music the band has ever recorded. With an intuition for melodies that come with astonishing implicitness and songs that put the label "progressive" never close to being intrusive but make it just sound natural. It represents the band's complete musical scope from intoxicating heavy guitar riffs and inspiring melodies to intense instrumental passages and catchy choruses. The release will be accompanied by live activities during the next months.
The band has never sounded as good as on this record - Poverty's No Crime is back!